Bristol's Backyard Vineyards: Grape-Treading Fruit in Urban Spaces

Every 20 minutes or so, an older diesel-powered train arrives at a graffiti-covered stop. Nearby, a law enforcement alarm cuts through the near-constant road noise. Daily travelers rush by falling apart, ivy-covered fencing panels as storm clouds form.

It is maybe the least likely spot you expect to find a well-established vineyard. But James Bayliss-Smith has cultivated 40 mature vines sagging with round mauve grapes on a sprawling allotment sandwiched between a line of 1930s houses and a commuter railway just north of the city downtown.

"I've noticed people concealing illegal substances or whatever in the shrubbery," says Bayliss-Smith. "But you just get on with it ... and keep tending to your grapevines."

Bayliss-Smith, forty-six, a filmmaker who also has a fermented beverage company, is not the only urban winemaker. He's organized a loose collective of cultivators who make wine from several hidden urban vineyards nestled in private yards and community plots across Bristol. The project is sufficiently underground to have an formal title yet, but the collective's messaging chat is called Grape Expectations.

City Wine Gardens Across the World

So far, the grower's plot is the sole location listed in the Urban Vineyards Association's upcoming global directory, which features more famous city vineyards such as the eighteen hundred plants on the slopes of Paris's renowned artistic district area and over 3,000 vines with views of and inside Turin. Based in Italy non-profit association is at the forefront of a initiative re-establishing urban grape cultivation in traditional winemaking countries, but has identified them throughout the globe, including urban centers in Japan, Bangladesh and Uzbekistan.

"Vineyards help cities stay greener and ecologically varied. They preserve land from development by establishing permanent, productive agricultural units inside urban environments," explains the association's president.

Similar to other vintages, those produced in cities are a product of the soils the vines grow in, the unpredictability of the weather and the individuals who tend the fruit. "Each vintage represents the beauty, community, environment and history of a urban center," adds the spokesperson.

Unknown Polish Grapes

Returning to the city, the grower is in a race against time to harvest the grapevines he cultivated from a cutting left in his garden by a Eastern European household. If the rain comes, then the pigeons may seize their chance to attack again. "This is the mystery Polish grape," he says, as he removes damaged and mouldy grapes from the shimmering bunches. "We don't really know what variety they are, but they're definitely hardy. In contrast to noble varieties – Pinot Noir, white wine grapes and other famous European varieties – you don't have to spray them with chemicals ... this could be a unique cultivar that was bred by the Soviets."

Group Efforts Across the City

The other members of the collective are additionally making the most of sunny interludes between showers of fall precipitation. At a rooftop garden overlooking Bristol's shimmering harbour, where medieval merchant vessels once floated with barrels of wine from France and the Iberian peninsula, one cultivator is collecting her dark berries from approximately fifty plants. "I adore the aroma of these vines. It is so evocative," she says, stopping with a basket of fruit resting on her shoulder. "It recalls the fragrance of southern France when you open the vehicle windows on vacation."

Grant, 52, who has devoted more than two decades working for charitable groups in war-torn regions, inadvertently inherited the grape garden when she returned to the UK from Kenya with her household in recent years. She felt an strong responsibility to maintain the vines in the yard of their new home. "This plot has previously survived three different owners," she says. "I deeply appreciate the concept of natural stewardship – of handing this down to someone else so they continue producing from the soil."

Sloping Gardens and Traditional Production

A short walk away, the final two members of the group are hard at work on the precipitous slopes of Avon Gorge. Jo Scofield has established over 150 plants situated on terraces in her wild half-acre garden, which tumbles down towards the silty River Avon. "People are always surprised," she notes, gesturing towards the tangled grape garden. "It's astonishing to them they can see rows of vines in a city street."

Today, Scofield, 60, is picking clusters of deep violet dark berries from lines of vines slung across the cliff-side with the help of her daughter, her family member. The conservationist, a wildlife and conservation film-maker who has contributed to Netflix's Great National Parks series and BBC Two's Gardeners' World, was motivated to cultivate vines after observing her neighbour's grapevines. She has learned that hobbyists can produce interesting, enjoyable traditional vintage, which can sell for upwards of £7 a glass in the increasing quantity of wine bars specialising in minimal-intervention wines. "It is incredibly satisfying that you can actually create quality, natural wine," she states. "It is quite on trend, but really it's resurrecting an old way of producing wine."

"When I tread the fruit, the various wild yeasts are released from the skins into the liquid," says the winemaker, ankle deep in a bucket of small branches, pips and red liquid. "This represents how wines were historically produced, but industrial wineries add sulphur [dioxide] to eliminate the wild yeast and then add a lab-grown culture."

Challenging Environments and Creative Approaches

A few doors down active senior Bob Reeve, who motivated his neighbor to establish her vines, has gathered his companions to harvest white wine varieties from one hundred vines he has arranged precisely across two terraces. The former teacher, a Lancashire-born physical education instructor who taught at Bristol University cultivated an interest in viticulture on annual sporting trips to France. However it is a difficult task to grow this particular variety in the humidity of the valley, with temperature fluctuations sweeping in and out from the Bristol Channel. "I aimed to produce Burgundian wines in this location, which is somewhat ambitious," says the retiree with amusement. "Chardonnay is slow-maturing and very sensitive to fungal infections."

"My goal was creating Burgundian wines here, which is a bit bonkers"

The temperamental local weather is not the only problem faced by winegrowers. Reeve has had to install a fence on

James Chambers
James Chambers

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